Lil Wayne lands his first top 10s in a lead role in over five years, since “Love Me,” featuring Drake and Future, hit No. Eminem ranks third in the category with 20 top 10s. Lil Wayne ups his count to 24 career Hot 100 top 10s, passing JAY-Z (21) for the second-most among rappers, after Drake’s 31. Cole and Scott.ĭrake has achieved the feat three times, including launching four titles in the top 10 on the July 14-dated chart, a record that Lil Wayne matches: 10, Lil Wayne becomes the fifth act to have debuted multiple songs in the Hot 100’s top 10 simultaneously, joining Ed Sheeran, Drake, J. 7 on the Hot 100 and “Let It Fly,” featuring Travis Scott, begins at No. Record-tying four top 10 debuts: Plus, as “Uproar” debuts at No. The songs also debut on Digital Song Sales at No. 1 on Streaming Songs, where it’s Lil Wayne’s first leader, with 43 million U.S. Streaming powers the tracks, as “Lisa” debuts at No. 2), and “Don’t Cry,” featuring XXXTentacion (No. 1 on Billboard 200 With Second-Largest Streaming Week Ever…Īs for Lil Wayne’s big week on the Hot 100, let’s look at five of his biggest feats related to the arrival of Tha Carter V.įirst act with two simultaneous top five debuts: Lil Wayne is the first artist ever to debut two songs in the Hot 100’s top five simultaneously: “Mona Lisa,” featuring Kendrick Lamar (No. streams, up 2 percent, in the week ending Oct. 4), after leading for six weeks, and 13-19 on Streaming Songs (23.3 million U.S. “Girls” drops 3-8 on Digital Song Sales (18,000 downloads sold, down 26 percent, in the week ending Oct. (Goo Goo Dolls’ “Iris” holds the longevity record atop Radio Songs among all acts, with 18 weeks at No. 1 in 2017 (and which interpolates “Scrubs”). “Girls” has logged the longest run atop the chart by any act since Ed Sheeran’s “Shape of You,” which spent 12 weeks at No. 1 by a duo or group this century it boasts the longest reign by a duo or group since TLC’s “No Scrubs” led for 13 weeks in 1999. The track ties The Chainsmokers’ “Closer,” featuring Halsey, in 2016, as the longest-leading Radio Songs No. “Girls” tops the Radio Songs chart for an 11th week, with 125.9 million in audience, down 2 percent, in the week ending Oct.
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All charts will update on tomorrow (Oct. streaming, radio airplay and digital sales data. Here’s a rundown of the top 10 and more on the newest Hot 100, which blends all-genre U.S. 1 on the Billboard 200 albums chart, enter the Hot 100, as Lil Wayne further matches Drake as the only acts to chart at least 22 songs simultaneously in the survey’s history. 10.Īdditionally, 22 tracks from Tha Carter V, which debuts at No. 7 and “Let It Fly,” featuring Travis Scott, starts at No. Plus, Lil Wayne joins Drake as the only artists to debut four songs in the top 10 in a single week, as “Uproar” enters at No. 2 and “Don’t Cry,” featuring XXXTentacion, bows at No. Meanwhile, Lil Wayne makes history as the first artist to debut two songs in the Hot 100’s top five simultaneously, as “Mona Lisa,” featuring Kendrick Lamar, launches at No. 1 on the Billboard Hot 100 chart (dated Oct. At just over 79 minutes in length, it's made evident that the length would actually be just over 89 minutes if a CD could hold 90 minutes' worth of music.Maroon 5‘s “Girls Like You,” featuring Cardi B, logs a third week at No. To beat that dead horse one more time, the album is far too long and not concerned enough with the quality control, despite including more than enough bright spots to keep the followers following. Mannie Fresh's stout production is in effect as ever, and to the MC's credit, the rhymes are less measured and are all the better for it. Although much has been made about Wayne's growth and new world view, there's about as much change as you'd expect from a Southern rap star who has been in the public eye from his late teens to his twenties. The title actually refers to Lil Wayne's actual last name (hint: it isn't Wayne), in addition to referencing the apartments run by Wesley Snipes' character in New Jack City. It would be easy to read too much into the title of Lil Wayne's fourth album, especially in light of a mixtape (cunningly titled The Prefix) that preceded this, which featured the MC over a handful of tracks off Shawn "Jay-Z" Carter's Black Album.
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